The Age of Aquarius comes home to Byron Bay
Bangalow Theatre Company to stage Hair, the ultimate ‘Tribal Love-Rock Musical’
By MARGARET DEKKER
It’s crazy to think man that the psychedelic cult classic Hair hasn’t been performed in Byron Bay.
With its celebration of hippie counterculture, anti-convention, anti-war and lots of peace, love and long hair baby, Australia’s own iconic “hippie-town” (well, it was) is the obvious stage.
Even Byron’s legendary welcome sign still tells us today to “Cheer Up. Slow Down. Chill Out.” In between love and peace symbols.
Now finally 56 years on, Northern Rivers theatregoers will get their chance to experience the original, definitive rock musical Hair, in Byron Bay, in all its sensual, rebellious, and pioneering rock glory, with the show coming to the Byron Theatre amphitheatre in March 2023.
Bringing this electric opus to life – which was first staged and controversially-so, Off-Broadway in the 1967 Summer of Love – is award-winning director, Byron Shire thespian (and self-described once hippie herself) Kate Foster and the Bangalow Theatre Company.
“I want it to be really intimate and we’ve secured the Byron Theatre for that reason, it has this lovely intimacy we need for this show,” Kate Foster, Director Hair said.
A solid, 6-month rehearsal schedule is now underway weekly in Bangalow Hall together with Assistant Director Anouska Gammon, to ‘Let the Sunshine In’ by next Autumn.
True to Hair’s own revolutionary roots, Kate Foster is applying similar ‘experimental’ techniques to early rehearsals, uniting a tribe of 15 local, passionate and already transfixed cast members: think improvisational exercises, yoga, candles, incense and evocative Indian ragas in the cast’s very own Bangalow ‘be-in.’
“It was so beautiful, just creating that level playing field with the cast. Hugging, chatting, then we spent two hours choreographing the open scene, Aquarius. It was such a good first rehearsal, it was just magic,” Kate Foster, Director Hair said.
“This is a tribe show, this isn’t your chorus and leads show but essentially a tribe of people who are on stage the whole time, transforming, costume-changing, ad-libbing,” Kate added.
Hair was written in 1967 by Gerome Ragni and James Rado to bring to the stage the social revolution the friends saw happening around them in their own streets of New York, in the mid-sixties; rising anti-Vietnam War, anti-conscription sentiment, new Eastern philosophy, hallucinogens, free love .. as a new generation of ‘true patriots’ emerged, dodging the draft and wanting, protesting a better, happier America. As original producer, Michael Butler said then, “Hair is the strongest anti-war statement ever written.”
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Kate Foster echoes that original view.
“Young patriotic Americans were saying ‘no, we don’t want to go off and die.’ The protests we see in the show are directly referenced, like the assassination of American President, John F. Kennedy. He was seen as their saviour and he was taken from them, it led to a revolution of youth wanting to take control of their lives.”
Student protests, high school dropouts, flag burning, experimental drugs, sexual repression, racial integration, interracial relationships, and passivism are explored against a backdrop of the previous decade of conservative 1950s.
“It just blew society wide open. Such an electric, explosive time to be alive and these are all the amazing things the show deals with.
“And the show was created to be controversial, like never seen before. Previously musicals had been straight out of Rodgers and Hammerstein,” Kate Foster, Director Hair explains.
For the first time on stage, Hair challenged taboos of inequality, race relations, corruption in politics, domestic violence, environmental destruction, and human rights. It may leave audiences today wondering if anything’s really changed in five decades.
“The play itself has become a sort of time capsule. It was written in 1967 by Gerome Ragni and James Rado about their lives and that time of youth revolution in Vietnam War America. There have been so many rewrites and versions and directions taken but I want this show to be true to Hair’s original intention. I want it to be authentic, I want it to ring super-true to the 1960s, be a time capsule of 1968 in sound, set, lighting and wardrobe,” Kate Foster, Director Hair said.
A pure interpretation of the script is an unusual tack for the typically experimental, unconventional Foster who in 2017 was awarded a Gold Coast Area Theatre Award for ‘Best Director of a Community Theatre Musical’ for her contemporary take on the stage classic, ‘Little Shop of Horrors,’ again with Bangalow Theatre Company.
“I’m approaching the script with respect. I don’t want to mess with it,” Kate Foster, Director Hair told The Northern Rivers Times.
As for feeling any pressure in staging this truly original and almost ‘sacred’ rock musical, performed everywhere from the West End in London to Gorky Park in Moscow and countless countries in between, in its 55-year reign;
“Nothing creative comes out of fear,” Kate Foster said.
Performance has been Kate’s life since she was four years old; as actor, choreographer, short film cast member, Performing Arts degree holder, talent scout, committee member and director. But it’s Hair that’s always been her dream show.
“I went and saw the show six times when I was seventeen, at the height of my own ‘hippie phase’ (laughs.) Hair transported me into this world I’d never been to before, as a young adult wanting to escape .. I was absolutely transported to an era I wished I’d been a part of, that free, open-hearted world of the late 1960s .. it absolutely captured me. Ever since then I’ve been in love with it. And I’ve tried to bottle a little bit of that feeling and release it into this show.”
“Me directing the show now, you could say has been 30-years in the making,” Kate smiles.
There is no ‘Tribal Love-Rock Musical’ without the skilled interpretation of Galt MacDermot’s Grammy Award-winning score by Bangalow Theatre Company’s Music Director Margaret Curtis and her local live band, with Choreography by Shir Manu.
It’s important to stress, the entire show is staged by tireless and highly skilled volunteers.
“The Bangalow Theatre Company has an amazing network of volunteers who are very excited and can’t wait for this show to start. It’s really important to acknowledge the thousands of volunteer-hours that go into bringing this show to the community, so we hope the community comes to the show to make sure local theatre continues to happen,” Kate Foster, Director Hair said.
And by 2023, the show aims to lure a whole new generation of audience, to its new-age of Aquarius ..
“Everyone who’s aged 40-plus knows the show from 30 years ago, it’s now the younger generation I’m hoping to attract, to have the same powerful experience I had 30 years ago,” Kate Foster, Hair Director said.
As for her staging the definitive hippie musical in the definitive hippie town? Even Kate Foster can’t believe the .. dramatic irony and her luck.
“Byron is a perfect place to stage Hair .. it’s Byron!” Kate Foster laughed, out loud.
For the latest information on the show and ticket sale dates, visit Bangalow Theatre Company: bangalowtheatre.com.au