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Byron Bay News

The Age of Aquarius comes home to Byron Bay

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The Age of Aquarius comes home to Byron Bay

Bangalow Theatre Company to stage Hair, the ultimate ‘Tribal Love-Rock Musical’

By MARGARET DEKKER

It’s crazy to think man that the psychedelic cult classic Hair hasn’t been performed in Byron Bay.

With its celebration of hippie counterculture, anti-convention, anti-war and lots of peace, love and long hair baby, Australia’s own iconic “hippie-town” (well, it was) is the obvious stage.

Even Byron’s legendary welcome sign still tells us today to “Cheer Up. Slow Down. Chill Out.” In between love and peace symbols.

Now finally 56 years on, Northern Rivers theatregoers will get their chance to experience the original, definitive rock musical Hair, in Byron Bay, in all its sensual, rebellious, and pioneering rock glory, with the show coming to the Byron Theatre amphitheatre in March 2023.

Bringing this electric opus to life – which was first staged and controversially-so, Off-Broadway in the 1967 Summer of Love – is award-winning director, Byron Shire thespian (and self-described once hippie herself) Kate Foster and the Bangalow Theatre Company.

“I want it to be really intimate and we’ve secured the Byron Theatre for that reason, it has this lovely intimacy we need for this show,” Kate Foster, Director Hair said.

A solid, 6-month rehearsal schedule is now underway weekly in Bangalow Hall together with Assistant Director Anouska Gammon, to ‘Let the Sunshine In’ by next Autumn.

True to Hair’s own revolutionary roots, Kate Foster is applying similar ‘experimental’ techniques to early rehearsals, uniting a tribe of 15 local, passionate and already transfixed cast members: think improvisational exercises, yoga, candles, incense and evocative Indian ragas in the cast’s very own Bangalow ‘be-in.’

“It was so beautiful, just creating that level playing field with the cast.  Hugging, chatting, then we spent two hours choreographing the open scene, Aquarius.  It was such a good first rehearsal, it was just magic,” Kate Foster, Director Hair said.

“This is a tribe show, this isn’t your chorus and leads show but essentially a tribe of people who are on stage the whole time, transforming, costume-changing, ad-libbing,” Kate added.

Hair was written in 1967 by Gerome Ragni and James Rado to bring to the stage the social revolution the friends saw happening around them in their own streets of New York, in the mid-sixties; rising anti-Vietnam War, anti-conscription sentiment, new Eastern philosophy, hallucinogens, free love .. as a new generation of ‘true patriots’ emerged, dodging the draft and wanting, protesting a better, happier America.  As original producer, Michael Butler said then, “Hair is the strongest anti-war statement ever written.”

Entertainment and theatre portrait photographer

Kate Foster echoes that original view.

“Young patriotic Americans were saying ‘no, we don’t want to go off and die.’  The protests we see in the show are directly referenced, like the assassination of American President, John F. Kennedy.  He was seen as their saviour and he was taken from them, it led to a revolution of youth wanting to take control of their lives.”

Student protests, high school dropouts, flag burning, experimental drugs, sexual repression, racial integration, interracial relationships, and passivism are explored against a backdrop of the previous decade of conservative 1950s.

“It just blew society wide open. Such an electric, explosive time to be alive and these are all the amazing things the show deals with.

“And the show was created to be controversial, like never seen before.  Previously musicals had been straight out of Rodgers and Hammerstein,” Kate Foster, Director Hair explains.

For the first time on stage, Hair challenged taboos of inequality, race relations, corruption in politics, domestic violence, environmental destruction, and human rights.  It may leave audiences today wondering if anything’s really changed in five decades.

“The play itself has become a sort of time capsule. It was written in 1967 by Gerome Ragni and James Rado about their lives and that time of youth revolution in Vietnam War America.  There have been so many rewrites and versions and directions taken but I want this show to be true to Hair’s original intention.  I want it to be authentic, I want it to ring super-true to the 1960s, be a time capsule of 1968 in sound, set, lighting and wardrobe,” Kate Foster, Director Hair said.

A pure interpretation of the script is an unusual tack for the typically experimental, unconventional Foster who in 2017 was awarded a Gold Coast Area Theatre Award for ‘Best Director of a Community Theatre Musical’ for her contemporary take on the stage classic, ‘Little Shop of Horrors,’ again with Bangalow Theatre Company.

“I’m approaching the script with respect.  I don’t want to mess with it,” Kate Foster, Director Hair told The Northern Rivers Times.

As for feeling any pressure in staging this truly original and almost ‘sacred’ rock musical, performed everywhere from the West End in London to Gorky Park in Moscow and countless countries in between, in its 55-year reign;

“Nothing creative comes out of fear,” Kate Foster said.

Performance has been Kate’s life since she was four years old; as actor, choreographer, short film cast member, Performing Arts degree holder, talent scout, committee member and director.  But it’s Hair that’s always been her dream show.

“I went and saw the show six times when I was seventeen, at the height of my own ‘hippie phase’ (laughs.)  Hair transported me into this world I’d never been to before, as a young adult wanting to escape .. I was absolutely transported to an era I wished I’d been a part of, that free, open-hearted world of the late 1960s .. it absolutely captured me. Ever since then I’ve been in love with it.  And I’ve tried to bottle a little bit of that feeling and release it into this show.”

“Me directing the show now, you could say has been 30-years in the making,” Kate smiles.

There is no ‘Tribal Love-Rock Musical’ without the skilled interpretation of Galt MacDermot’s Grammy Award-winning score by Bangalow Theatre Company’s Music Director Margaret Curtis and her local live band, with Choreography by Shir Manu.

It’s important to stress, the entire show is staged by tireless and highly skilled volunteers.

“The Bangalow Theatre Company has an amazing network of volunteers who are very excited and can’t wait for this show to start.  It’s really important to acknowledge the thousands of volunteer-hours that go into bringing this show to the community, so we hope the community comes to the show to make sure local theatre continues to happen,” Kate Foster, Director Hair said.

And by 2023, the show aims to lure a whole new generation of audience, to its new-age of Aquarius ..

“Everyone who’s aged 40-plus knows the show from 30 years ago, it’s now the younger generation I’m hoping to attract, to have the same powerful experience I had 30 years ago,” Kate Foster, Hair Director said.

As for her staging the definitive hippie musical in the definitive hippie town?  Even Kate Foster can’t believe the .. dramatic irony and her luck.

“Byron is a perfect place to stage Hair .. it’s Byron!” Kate Foster laughed, out loud.

For the latest information on the show and ticket sale dates, visit Bangalow Theatre Company:  bangalowtheatre.com.au

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SAVE THE DATE – 18th Byron Bay Film Festival

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Miriam Margolyes in H is for Happiness at the Byron Bay Film Festival
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SAVE THE DATE – 18th Byron Bay Film Festival

 

The Byron Bay International Film Festival, the town’s world-renowned 10-day celebration of independent cinema, returns in October for its 18th year, with screenings scheduled at Palace Cinemas Byron Bay, Lennox Head Cultural Centre, Brunswick Picture House and for the first time in nine years, Ballina Fair Cinemas.

An outstanding feature of the Northern Rivers cultural calendar, BBFF has for nearly 20 years brought the work of innovative filmmakers from all around the globe to the region and championed a diverse range of films made by local screen creatives. Some of the area’s most outstanding and consistent filmmaking talents are in this year’s line-up.

The 18th Festival promises to provide a window into the world, delving into personal and social stories, with well over 100 films set for screening, including documentaries focussed on the region’s counter-culture and surfing legends, Australia’s music, environment and indigenous issues, and penetrating behind-the-scenes examinations of some of the global frontlines, to the weird and not so wonderful shenanigans of the so-called free world.

Feature dramas, short films and experimental works offering human interest stories that explore the familiar and the far-out – the full range of human experience – will ensure audiences are captivated, enthralled and entertained.

The Festival will also once again be offering a full programme of altered and virtual reality experiences from the pioneering edge of visual media as well Q&As and panels providing opportunities to connect with the filmmakers and the people whose stories they are sharing.

“We have a particularly exciting programme this year, with something to offer everyone,” says Festival Director J’aimee Skippon-Volke.

“I am proud to say that the Festival is continuing to go from strength to strength, in an arts/entertainment market that is sadly seeing many iconic festivals having to pull the plug. It’s a tough space to be in but BBFF is resilient, like the people of the region, and committed to thriving, not just surviving.

“It means that we have to have audience satisfaction and delight as our absolute priority and my team and I are highly conscious of making sure that each year we build an event which sparks connection for our audience – to the films, the filmmakers, the stories shared and to each other through the collective experience of watching film in a cinema

“We are very fortunate to have the support of directors, actors, writers, producers and film buffs from all over Australia and the US, UK, Europe and Asia. Many are regulars at the Festival, which along with our focus on exciting fresh talent cements BBFF as a pivotal Australian gathering for those invested in the future of cinema and eager to see it flourish despite the rise of competing media.

“They come here for the vibe, which is always uplifting, inspirational and fun, and for the kind of conversations they crave, where ideas are thrown around, connections made, and creative visions shared and workshopped.

“All this and the opportunity to experience some of the best independent films on offer in the world, some fresh from the screens of festivals like Sundance and Cannes and others screening for the very first time.

“We’re here to give bold and brilliant filmmakers the best shot at having their work seen and appreciated, and to introduce the community to films they would not have seen otherwise.

“Please join them, and us, for a really good time.”

The 18th Byron Bay International Film Festival runs from October 18-27, with screenings at Byron Palace Cinemas, Lennox Head Cultural Centre, Brunswick Picture House, and Ballina Palace.

 

For more Byron Bay news, click here.

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New Roundabout to Improve Byron TAFE Access Road and Byron Arts and Industry Estate

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New Roundabout Byron Arts and Industry Estate
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New Roundabout to Improve Byron TAFE Access Road and Byron Arts and Industry Estate

 

Byron Shire Council will begin construction of a new roundabout at the intersection of the access road to the new Byron TAFE and Byron Bay Fair (IGA complex) on Bayshore Drive starting at the end of September. The project, part of the $2.4 million development, is required under the Development Application (DA) for Council’s Lot 12 Bayshore Drive estate, where the new Byron TAFE facility is located.

The construction, expected to take around five months, will include:

  • Building the roundabout
  • Road and footpath improvements
  • Garden bed installations
  • Replacement of kerbs and gutters
  • Installation of lighting
  • Water and sewer infrastructure upgrades

New Roundabout Byron Arts and Industry Estate

These upgrades complement recent improvements to Bayshore Drive between Grevillia Street and Banksia Drive in the Byron Arts and Industry Estate, including roadworks, footpath upgrades, and parking enhancements.

Phil Holloway, Council’s Director of Infrastructure Services, emphasised that while the roundabout is a necessary part of the development, efforts will be made to minimise disruptions to local businesses and residents. “One lane will remain open for local traffic, and traffic management plans will be in place to lessen impacts.”

Holloway added that businesses and residents, especially those around Byron Bay Fair, are understandably concerned about the potential economic and traffic disruptions. “We’ll work closely with businesses to support them during the project, and we encourage everyone to keep shopping and using the services at Byron Bay Fair—everything will remain open for business as usual.”

 

For more Byron Bay news, click here.

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Lawson Street Drainage Upgrade to Begin Soon

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Lawson Street Drainage
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Lawson Street Drainage Upgrade to Begin Soon

 

Byron Shire Council will commence a significant drainage upgrade on Lawson Street, between Fletcher Street and Middleton Street, from early September to November. This project is part of the broader Byron Bay Drainage Upgrade initiative.

Christopher Soulsby, Byron Shire Council’s Manager of Assets & Major Projects, explained that the work will include renewing the water supply, resurfacing the road, and implementing other improvements to enhance the area.

“The stormwater drainage system on Lawson Street will be upgraded to improve water flow. Following this, the road surface will be repaired, and parking along this section will be reorganised. Additionally, we’ll install new garden beds and repair the broken kerb and gutter,” Soulsby said.

The footpath will also be made more accessible by replacing the existing pavers with concrete, accommodating people with mobility devices. The project will also see the installation of additional bike racks, benefiting cyclists.

To complete these works, Lawson Street will be closed to through traffic, although local traffic and pedestrians will still have access. Traffic control measures will be in place to manage the flow of vehicles and pedestrians.

Soulsby encouraged residents and visitors to continue supporting local businesses on Lawson Street during the construction period, as they will remain open and accessible by foot.

What to Expect During the Works:

  • Timing: The work will take place Monday to Friday between 7 am and 5 pm.
  • Noise: There will be periods of machinery noise, including drilling and vacuum excavation.
  • Access: There will be temporary closures and redirection of roads, footpaths, and parking spaces. Through traffic will be detoured, and local traffic will be reduced to one lane. Traffic control, electronic message boards, and signage will be used to manage access and deliveries.

This project is made possible by $1.3 million in funding from the NSW Government.

 

For more Byron Bay news, click here.

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