Ancestral Woven Treasures Return Home: Bulaan Buruugaa Ngali Exhibition Opens at Tweed Regional Gallery
By Jeff Gibbs
A landmark cultural homecoming is set to unfold as the touring Bulaan Buruugaa Ngali Exhibition arrives at Tweed Regional Gallery, with an official opening event on Saturday, 22 February 2025. This deeply significant exhibition, presented by Arts Northern Rivers and curated by Kylie Caldwell, unites three major regional galleries—Tweed, Lismore, and Grafton—in a powerful showcase of ancestral and contemporary weaving traditions.
For the first time, nine ancestral woven objects from the Australian Museum’s collection will return to Country, exhibited alongside ten newly commissioned works by contemporary Bundjalung, Yaegl, Gumbaynggirr, and Kamilaroi (Gamilaroi) artists. Drawing upon the wisdom of their great grandmothers, these artists breathe new life into ancient weaving practices, strengthening cultural ties and reviving stories embedded in each meticulously crafted piece.
Among the esteemed weavers and Elders featured are Bindimu, Casino Wake Up Time, Janelle Duncan, Madeleine Grace, Lauren Jarrett, Tania Marlowe, Bianca Monaghan, Krystal Randall, Rhoda Roberts AO, Kyra Togo, and Margaret Torrens—each contributing works that are deeply rooted in heritage, storytelling, and cultural continuity.
Honouring Ancestral Legacies
Tweed Regional Gallery Director Ingrid Hedgcock described the exhibition as a momentous occasion, reflecting the resilience and vitality of Bundjalung weaving traditions.
“We are privileged to host this significant exhibition. Bulaan Buruugaa Ngali is a powerful reminder of the deep cultural connections embedded in these woven objects and the enduring strength of Bundjalung weaving. It is an honour to bring these ancestral pieces home to Country and to share them with our community,” Ms. Hedgcock said.
Curator and artist Kylie Caldwell highlighted the exhibition’s role in bridging past and present, celebrating an unbroken lineage of cultural knowledge.
“Each weaver’s story is interconnected. There is a shared reverence for the revival and continuation of these ancient practices. This exhibition unites past and present in a way that ensures their survival into the future. These Bundjalung bags will be home for a while—conversing, sharing, informing, inspiring, affirming, and reconnecting with their homelands. It is a profound homecoming that weaves our history into the present,” Ms. Caldwell said.
Dr. Mariko Smith, Head of First Nations Collections & Research at the Australian Museum, underscored the museum’s commitment to cultural reconnection.
“The Australian Museum is honoured to support Bundjalung women in reconnecting with their ancestral woven objects. Lending these exquisite pieces for Bulaan Buruugaa Ngali is deeply significant, and we look forward to continuing our strong partnership with Arts Northern Rivers and the Bundjalung community,” Dr. Smith said.
A Living Tradition: Contemporary Works of Cultural Expression
Among the contemporary works on display is Dili, a creation by multidisciplinary artist Bindimu, whose heritage spans Bundjalung, Gugu Yalanji, Gooreng Gooreng, and Melanesian ancestry.
“The process of weaving a dili begins with the plants and the place, a conscious and cautious collection. This dili embodies the sacredness of this embryonic relationship, a process that intricately weaves together multiple ecosystems,” Bindimu said.
Bundjalung Elder and master weaver Margaret Torrens contributes Place of Tall Pines, a poignant piece crafted from Bangalow palm sheaths and white ochre, inspired by her mother’s homeland of Mallanganee.
“My mother, Aunty Phyllis, was small in stature but stood tall in strength, raising 14 children. Place of Tall Pines honours her memory and our connection to Mallanganee, where we spent our summers swimming in the creek,” Margaret said.
Another highlight of the exhibition is Slumber Party 2022, a collaborative piece by Casino Wake Up Time, commissioned for the 23rd Biennale of Sydney and Create Australia.
Bundjalung/Yaegl artist Krystal Randall presents Dyinda on Country, a work dedicated to the Matriarchs of her lineage, woven from raffia, emu feathers, and paper cortege.
“These pieces represent Matriarchs on Country. I envisioned them wearing these woven cultural adornments during ceremonies, dancing, and guiding the younger generation in the ways of weaving,” Ms. Randall said.
Arts and cultural leader Rhoda Roberts AO contributes Continuous Persistence, a piece woven from Lomandra grass harvested on Country.
“Weaving is more than art; it’s a rhythm, a continuum. It is something crafted from the provisions of Country. We have come full circle to the old ways—where our grandmothers once gathered under the trees, weaving. Now, as I sit with our children beneath the dappled shade, I am reminded that every leaf and every star is an ancestor,” Ms. Roberts said.
A Community-Led Cultural Reclamation
The Bulaan Buruugaa Ngali Exhibition and its accompanying book celebrate First Nations women’s weaving traditions, ensuring the preservation and transmission of this invaluable cultural practice. By sharing interwoven stories across three regional galleries, the exhibition plays a vital role in safeguarding an unbroken lineage of ancestral knowledge.
The exhibition will be on display at Tweed Regional Gallery from 22 February 2025 to 27 April 2025.
Weaving Workshop and Bushfood Tasting
- Sunday 30 March 2025 | 10:30 AM – 2:30 PM
- Experience the rich traditions of natural fibre weaving with Bulaan Buruugaa Ngali weavers and Delta Kay, complemented by a tasting of local bushfoods. All materials included.
- General Admission: $70
- Friends & Foundation Members: $65
- Subsidised spots available for First Nations participants (please contact tweedart@tweed.nsw.gov.au).
- Bookings essential: events.humanitix.com/wwbt
As Bulaan Buruugaa Ngali returns woven treasures to Country, it fosters a deeper understanding of the enduring strength of First Nations culture—a story interwoven with resilience, identity, and an unbreakable connection to land, spirit, and heritage.
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